Art & Antiques Fair - 2014
This year, the Chicago Art and Antiques Fair moved to Festival Hall at Navy Pier - where the 80-foot ceiling offered the show a more spacious feeling.
Since I immediately get immersed in the details of whatever interests me, it's hard to compare this year's show with the one last year at the Merchandise Mart.
As always, there were a lot of paintings that seemed incredibly bad.
The London galleries were missing, but there did seem to be some very good New York galleries here -- and perhaps they were new to Chicago.
One such gallery brought the above monumental double-portrait to this show.
As a 20th C. relic of the 19th C. French academy, Paxton is only cherished now by the Classical-Realist dissidents of the artworld - and otherwise is never mentioned in the same sentence with his famous American contemporaries, Eakins and Sargent. But someday he'll probably get there.
He's given these ladies a lot of personality that might not be noticed in the reproduction.
The same gallery had these two pieces by my favorite Cincinnati painter.
The snow scene is too faint and subtle to survive reproduction - but I've done my best.
The harbor scene may have been an earlier work. It seems to be a homage to the Golden Age of Dutch seascapes.
The surface of this plate looked so tasty, I wanted to break off a piece and eat it.
This artist is a successful illustrator. Most of his pieces in this show resembled cheesy pin-up girls from the 1940's.
But the above was obviously painted from life -- with the artist sitting quite close to a model lying on a platform -- an arrangement that often occurs in the studio of my art club.
Every year there's always a few plein air studies from 50-100 years ago done by very good but completely obscure local artists.
I assumed that this was another example -- but it turns out that De Forest was a well-born and well-taught New York decorator who eventually moved to California to paint out doors.
Here's the image of the Twachtman snow scene off the gallery's website ( Gerald Peters Gallery)
I'm sure it's colors are far closer to the original than my bluish and purplish versions.
Here's the gallery's image of the harbor scene - which was indeed done when the artist was 27 and painting in the Netherlands.