Drawing Space
Just came across this 1938 drawing by Milton Horn (born 1906) -- and it occurred to me that it exemplifies the organization of space --- as an architect does -- rather than the accurate mapping of an image or anatomical structures -- as practiced by my sworn enemies, the neo-realists.
O.K. -- I'm being over-dramatic here -- nothing is my enemy except entropy -- but what I'm calling "neo-realism" seems to be the dominant trend in the recovery from the mid-century crash of European visual high-culture.
And, of course, this drawing also exemplifies the "New York Heavy Figure School" (Zorach, Lachaise etc) -- i.e. a certain approach to the young female figure that is very different from the Hungarian's shown in my last post.
Here's one of Horn's Christmas cards (undated) that, though a very casual drawing , really emphasizes that worshipful attitude towards an all-powerful femininity that I also blogged about here
For this group of artist/visionaries, this was the emergence of the great Goddess -- no less powerful than when she appeared in the 13th Century -- but no longer a virgin.
3 Comments:
Chris,
So much life in the contours of Horn...here is another sculptor from the era you mention who also "looks up to women" ....I first saw his work in Parkes Book:
http://www.joachimcosta.com/
Another new sculptor for me !I love/hate when this happens -- because now I've got to start hunting for pictures and posting them to my site.
Costa especially interests me because he did liturgical work.
r u religious? :)
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